Showing posts with label detective fiction. Show all posts
Showing posts with label detective fiction. Show all posts

Friday, June 1, 2018


Episode 9 of the
Quills and Cliffhangers podcast

is now available on 

iTunes
and Stitcher.


We are thrilled to announce that we have located a copy of the rare and wonderful 1911 book, Nonsense Novels, by Stephen Leacock.

This Canadian author was one of the most popular humorists of the early 20th century.  His work amused and inspired many people, including the great master of absurd comedy, Groucho Marx.


Nonsense Novels is a collection of Stephen Leacock’s parodies of ghost stories, historical romances, and other literary genres. Here is an excerpt from his famous satire of the adventures of Sherlock Holmes:


Maddened by Mystery: or, The Defective Detective
by Stephen Leacock
The great detective sat in his office. He wore a long green gown and half a dozen secret badges pinned to the outside of it.
Three or four pairs of false whiskers hung on a whisker-stand beside him.
Goggles, blue spectacles and motor glasses lay within easy reach.
He could completely disguise himself at a second's notice.
His face was absolutely impenetrable.
A pile of cryptograms lay on the desk. The Great Detective hastily tore them open one after the other, solved them, and threw them down the cryptogram-shute at his side.
There was a rap at the door.
The Great Detective adjusted a pair of false black whiskers and cried,"Come in."
His secretary entered.
"Ha," said the detective, "it is you!" He laid aside his disguise.
"Sir," said the young man in intense excitement, "a mystery has been committed!"
"Ha!" said the Great Detective, his eye kindling, "is it such as to completely baffle the police of the entire continent?"
"They are so completely baffled with it," said the secretary, "that they are lying collapsed in heaps."
"So," said the detective, "and is the mystery one that is absolutely unparalleled in the whole recorded annals of the London police?"
"It is."
"And it is connected, I presume, with the highest diplomatic consequences, so that if we fail to solve it England will be at war with the whole world in sixteen minutes?"
His secretary, still quivering with excitement, again answered yes.
"And finally," said the Great Detective, "I presume that it was committed in broad daylight, in some such place as the entrance of the Bank of England, or in the cloak-room of the House of Commons, and under the very eyes of the police?"
"Those," said the secretary, "are the very conditions of the mystery."
"Good," said the Great Detective, "now wrap yourself in this disguise, put on these brown whiskers and tell me what it is."
The secretary whispered in the ear of the Great Detective: "The Prince of Wurttemberg has been kidnapped."
The Great Detective bounded from his chair.  A prince stolen! Evidently a Bourbon! The scion of one of the oldest families in Europe kidnapped. Here was a mystery indeed worthy of his analytical brain.
His mind began to move like lightning.
"Stop!" he said, "how do you know this?"
The secretary handed him a telegram. It was from the Prefect of Police of Paris. It read: "The Prince of Wurttemberg stolen. Probably forwarded to London. Must have him here for the opening day of Exhibition. 1,000 pounds reward."
So! The Prince had been kidnapped out of Paris at the very time when his appearance at the International Exposition would have been a political event of the first magnitude.
With the Great Detective to think was to act, and to act was to think.
Frequently he could do both together. "Wire to Paris for a description of the Prince."

The secretary bowed and left.
There was a loud rapping at the door.
There entered the Countess of Dashleigh. She was all in furs.
She was the most beautiful woman in England. She strode imperiously into the room. She seized a chair imperiously and seated herself on it, imperial side up.
She took off her tiara of diamonds and put it on the tiara-holder beside her and uncoiled her boa of pearls and put it on the pearl-stand.
"You have come," said the Great Detective, "about the Prince of
Wurttemberg."

"Wretched little pup!" said the Countess of Dashleigh in disgust.
So! A further complication!  The Countess denounced the young Bourbon as a pup!
"You are interested in him, I believe."
"Interested!" said the Countess. "I should rather say so. Why,
I bred him! and I've got 10,000 pounds upon his chances, so no wonder I want him back in Paris.”

The Countess resumed her tiara.
She left.
The secretary re-entered.
"I have three telegrams from Paris," he said, "they are completely baffling."
He handed over the first telegram.
It read:
"The Prince of Wurttemberg has a long, wet snout, broad ears, very long body, and short hind legs."
The Great Detective looked puzzled.
He read the second telegram.
"The Prince of Wurttemberg is easily recognised by his deep bark."
And then the third.
"The Prince of Wurttemberg can be recognised by a patch of white hair across the centre of his back."
The two men looked at one another. The mystery was maddening, impenetrable.
The Great Detective rose.
He wrapped himself in a long black cloak with white whiskers and blue spectacles attached.
Completely disguised, he issued forth.
For four days he visited every corner of London. The search proved fruitless.
Two young men were arrested under suspicion of being the Prince, only to be released.
The identification was incomplete in each case.
One had a long wet snout but no hair on his back.
The other had hair on his back but couldn't bark.
Neither of them was the young Bourbon.
Still undismayed, the Great Detective made his way into the home of the Countess of Dashleigh. Then at last a clue came which gave him a solution of the mystery.
On the wall of the Countess's boudoir was a large framed engraving.
It was a portrait.
Under it was a printed legend:
THE PRINCE OF WURTTEMBERG
The portrait was that of a Dachshund.
The long body, the broad ears, the unclipped tail, the short hind legs—all was there.
In a fraction of a second the lightning mind of the Great Detective had penetrated the whole mystery.
THE PRINCE WAS A DOG!!!!
He summoned a passing hansom, and in a few moments was at his house.
"I have it," he gasped to his secretary. "The mystery is solved.
I have pieced it together. By sheer analysis I have reasoned it out.
Listen—hind legs, hair on back, wet snout, pup – eh, what? Does that
suggest nothing to you?"

"Nothing," said the secretary; "it seems perfectly hopeless."
The Great Detective, now recovered from his excitement, smiled faintly.
"It means simply this, my dear fellow. The Prince of Wurttemberg is a dog, a prize Dachshund. The Countess of Dashleigh bred him, and he is worth some 25,000 pounds in addition to the prize of 10,000 pounds offered at the Paris dog show. Can you wonder that——"
At that moment the Great Detective was interrupted by the scream of a woman.
The Countess of Dashleigh dashed into the room.
Her face was wild.
Her tiara was in disorder.
Her pearls were dripping all over the place.
She wrung her hands and moaned.
"They have cut his tail," she gasped, "and taken all the hair off his back. What can I do? I am undone!!"
"Madame," said the Great Detective, calm as bronze, "I can save you yet."
"You!"
"Me!"
"How?"
"Listen. This is how. The Prince was to have been shown at Paris."
The Countess nodded.
"Your fortune was staked on him?"
The Countess nodded again.
"The dog was stolen, carried to London, his tail cut and his marks disfigured."
Amazed at the quiet penetration of the Great Detective, the Countess kept on nodding and nodding.
"And you are ruined?"
"I am," she gasped, and sank to the floor in a heap of pearls.
"Madame," said the Great Detective, "all is not lost."
He straightened himself up to his full height. A look of inflinchable unflexibility flickered over his features.
The honour of England, the fortune of the most beautiful woman in
England was at stake.

"I will do it," he murmured.
"Rise dear lady," he continued. "Fear nothing. I WILL IMPERSONATE
THE DOG!!!"

That night the Great Detective might have been seen on the deck of the Calais packet boat with his secretary. He was on his hands and knees in a long black cloak, and his secretary had him on a short chain.
He barked at the waves exultingly and licked the secretary's hand.
"What a beautiful dog," said the passengers.
The disguise was absolutely complete.
The Great Detective had been coated over with dog hairs. The markings on his back were perfect.
Next day he was exhibited in the Dachshund class at the
International show.

He won all hearts.
The Great Detective took the first prize!
The fortune of the Countess was saved.


Friday, February 16, 2018







Sue Grafton: A Tribute



The mystery genre has its own canon, a set of built-in expectations for the audience.  Classic “whodunits,” as established by 1930s and 1940s novels -- and their Hollywood adaptations -- are exciting adventure stories.  While these aren’t hard-and-fast rules, mystery writers typically include the following elements in their novels:

  1. A sense of dramatic tension, from page one, telling us that something unforeseen is about to transpire.
  2. After introducing the characters and the setting, the author shakes things up with a jarring crime; for example, a murder.
  3. The plot revolves around identifying the murderer.  The tricky part is that the killer could be any one of several possible suspects – or even a team of collaborators.
  4. The unraveling of the mystery is presented through the eyes of the detective called in to solve the crime.  Often the protagonist is a police officer or a psychiatrist who is familiar with the workings of the criminal mind.
  5. The detective collects and analyzes clues and pieces of evidence, many of which are red herrings designed to throw the reader off track.  However, an important snippet of information on page 12 of the novel may come in handy on page 200, so the reader has to stay sharp.
  6. The detective identifies the character who had the motive, the scheme, the method, and the opportunity to commit the murder.
  7. Realizing that the hero is close on his trail, the criminal attempts to make the detective his next victim.
  8. The detective summons all the suspects together and points an accusing finger at the murderer.

What makes a successful mystery novelist stand out from the pack?  It’s the ability to transform the basic structure of the “whodunit” into something unique that fulfills and exceeds the expectations of the audience. And that is what Sue Grafton accomplished in her long and amazing career.

Sue Grafton was born in 1940 in Louisville, KY.  She was destined from an early age to become an author, and her career was an exciting journey toward that goal.  Encouraged by her crime novelist father, C.W. Grafton, she began writing when she was 18.  As many authors discover, the art of writing is best learned from the practice of creating one story after another.  And so she wrote several novels, publishing her first at the age of 27. 

Then she diverted her energy into building a screenwriting career.  Among her notable projects, she collaborated with her husband, Steven Humphrey, on script adaptations of Agatha Christie’s A Caribbean Mystery and Sparkling Cyanide.

Sue Grafton achieved phenomenal success when she resumed writing mystery novels.  She hit upon the idea of naming her stories after the letters of the alphabet.  (The first book in the series was A is for Alibi.)   The heroine of her alphabet mystery novels is a private investigator and former cop, Kinsey Millhone.  Kinsey is a brilliantly complicated character; she survives being orphaned at an early age, grows up and navigates several career changes and troubled relationships, and finally blazes a trail through life on her own terms.

The action in the Kinsey Millhone novels is set in Santa Teresa, California.  I have heard that Santa Teresa, a fictitious place, was based on Santa Barbara. This is indeed possible, for this beautiful West Coast town, located about a 90-minute drive north of Los Angeles, was also Sue Grafton’s home for many years.

In addition to winning numerous awards for her writing, Sue Grafton became one of the most beloved authors of our time.  She has many loyal readers around the world; her novels have been published in 28 countries and translated into 26 languages. 

Sue Grafton published the 25th book in the Kinsey Millhone series, Y is for Yesterday, in 2017.  It is unfortunate that she did not live long enough to complete the final book in the series, the Z volume, before passing at the age of 77.

We have one of Sue Grafton’s bestselling novels in stock at Steve’s Book Décor.  It’s M is for Malice. The story is about a wealthy man who dies and leaves his multi-million-dollar estate to be divided among his four sons.  Kinsey Millhone is hired to track down one of the heirs, the black sheep of the family.  M is for Malice, like all of Sue Grafton’s mysteries, is a well-crafted, suspenseful page-turner filled with memorable characters.

 I will wrap up this tribute to Sue Grafton with my favorite quote from this amazing author:

   “I’ve learned to trust my own instincts, and I’ve also learned to take risks.”