Tuesday, February 27, 2018














Recently we acquired a first edition printing of Fables in Slang by George Ade, published in 1899.  The stories in this collection are so entertaining, so over-the-top, that we decided to share a few of them with you.

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George Ade is often compared to Mark Twain.  Both men were born in the Midwest in the 19th century and wrote for newspapers as young men.  Gifted with wit and humor, the two authors enjoyed long and celebrated careers.  However, while Mark Twain’s books are still in wide circulation, the works of George Ade are not as well known today.  Nevertheless, George is finding a new audience among 21st century readers due to his gently satirical – and timeless -- take on life and relationships.

Released in 1899, Fables in Slang became a bestseller.  One of the first things I noticed about the stories is that George capitalized many nouns, and sometimes verbs, for no apparent reason.  This peculiar habit adds to the silliness of the stories.

George also had an efficient and quirky way of describing characters and their predicaments, in a few, quick strokes of the pen.  

Here is an example from…

THE FABLE OF THE SLIM GIRL WHO TRIED TO KEEP A DATE

THAT WAS NEVER MADE

Once upon a Time there was a slim Girl with a Forehead which was Shiny and Protuberant, like a Bartlett Pear. When asked to put Something in an Autograph Album she invariably wrote the Following, in a tall, dislocated Back-Hand:

"Life is Real; life is Earnest,
And the Grave is not its Goal."


That's the kind of a Girl she was.
In her own Town she had the Name of being a Cold Proposition, but that was because the Primitive Yokels could not Attune Themselves to the Views of one who was troubled with Ideals. Her Soul Panted for the Higher Life.
Alas, the Rube Town in which she Hung Forth was given over to Croquet, Mush and Milk Sociables, a lodge of Elks and two married Preachers who doctored for the Tonsilitis. So what could the Poor Girl do?
In all the Country around there was not a Man who came up to her Plans and Specifications for a Husband. Neither was there any Man who had any time for Her. So she led a lonely Life, dreaming of the One—the Ideal. He was a big and pensive Literary Man, wearing a Prince Albert coat, a neat Derby Hat and godlike Whiskers. When He came he would enfold Her in his Arms and whisper Emerson's Essays to her.
But the Party failed to show up.

*          *          *

George Ade wrote these fables during the Industrial Revolution.  People were leaving farms and small towns and moving to big cities.  In this era, women gained more independence, education increased in importance, and opportunities to build fortunes abounded.  George’s writing reflects this dramatic change in the American way of life.

His stories are typically short and energetic.  Just as they’re getting started, suddenly they’re over.   Perhaps our great-great-grandparents liked their entertainment in short sound bites, just as we do today.  In the tradition of Aesop’s Fables, George tacked a moral onto the end of each story.  The moral might make sense…and then again, it might not.  

Most of the stories flow very well, considering how long ago George wrote them.  The American English language has evolved just in the past decade; imagine the changes wrought by nearly 120 years!  It’s inevitable that some of his references are a tad obscure, so the modern reader has to interpret the author’s meaning from the context of the sentence, the paragraph, and the entire story.  These fables are therefore like a game, a verbal maze with twists and turns.  

The next story I would like to share with you is about an obsessive baseball fan.  Considering that baseball was invented only about fifty years before this story was written, the sport already had loyal, rowdy fans who could talk about nothing else.  

And now…

THE FABLE OF THE BASE BALL FAN 

WHO TOOK THE ONLY KNOWN CURE


Once upon a Time a Base Ball Fan lay on his Death-Bed.
He had been a Rooter from the days of Underhand Pitching.
It was simply Pie for him to tell in what year Anse began to play with the Rockfords and what Kelly's Batting Average was the Year he sold for Ten Thousand.
If you asked him who played Center for Boston in 1886 he could tell you quick—right off the Reel. And he was a walking Directory of all the Glass Arms in the Universe.
More than once he had let drive with a Pop Bottle at the Umpire and then yelled "Robber" until his Pipes gave out. For many Summers he would come Home, one Evening after Another, with his Collar melted, and tell his Wife that the Giants made the Colts look like a lot of Colonial Dames playing Bean Bag in a Weedy Lot back of an Orphan Asylum, and they ought to put a Trained Nurse on Third, and the Dummy at Right needed an Automobile, and the New Man couldn't jump out of a Boat and hit the Water, and the Short-Stop wouldn't be able to pick up a Ball if it was handed to him on a Platter with Water Cress around it, and the Easy One to Third that ought to have been Sponge Cake was fielded like a One-Legged Man with St. Vitus dance trying to do the Nashville Salute.
Of course she never knew what he was Talking about, but she put up with it, Year after Year, mixing Throat Gargle for him and reading the Games to him when he was having his Eyes tested and had to wear a Green Shade.
At last he came to his Ninth Inning and there were Two Strikes called and no Balls, and his Friends knew it was All Day with him. They stood around and tried to forget that he was a Fan. His Wife wept softly and consoled herself with the Thought that possibly he would have amounted to Something if there had been no National Game. She forgave Everything and pleaded for one Final Message. His Lips moved. She leaned over and Listened. He wanted to know if there was Anything in the Morning Papers about the Condition of Bill Lange's Knee.
Moral: There is a Specific Bacillus for every Classified Disease.


The Quills and Cliffhangers Podcast is available on iTunes and CastBox.


Tuesday, February 20, 2018






Anatole France: 
The Crime of Sylvestre Bonnard

Recently I found an intriguing old novel entitled: The Crime of Sylvestre Bonnard.  It’s an antique hardcover book, published in 1918, with a substantial 310 pages. 

When I picked up this book, I realized that, although I recognized the name of this famous writer, I had never read his books.  I decided that it was time to explore the life and work of the celebrated author, Anatole France. 

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Anatole France was born in Paris in 1844.  He grew up surrounded by books, for his father owned a bookstore. Upon graduation from school, Anatole helped his family run the business.  This immersion in the thoughts of great authors from an early age no doubt inspired him to build a writing career of his own.

Photographs of Anatole in his middle age show him attired in a dark, elegant suit, after the fashion of the late 19th century.  The spark of energy in his eyes reveals that he is thinking about something intriguing.  Even his dapper mustache has a personality of its own; in some portraits, the waxed tips spring away from his face like pointing arrows.

Anatole became a prolific author.  He received the Nobel Prize in 1921, three years before his death at the age of 80.  He had a robust personal life as well, including two marriages and a number of dramatic love affairs.


Anatole’s stories have survived the test of time. Many writers, including George Orwell of 1984 fame, have praised his writing as classic and suspenseful.

How fortunate that of all the books written by Anatole France, I happened upon his very first novel, The Crime of Sylvestre Bonnard.  This book marked Anatole’s transition from a poet to an author of fiction.


This book was published in 1881, when Anatole was 37 years old. The story is about a man named Sylvestre Bonnard, an elderly, kind-hearted historian who lives with his cat in a home filled with books.  (That sounds rather autobiographical, doesn’t it, knowing that Anatole’s father owned a bookstore.)


The plot is about Sylvestre’s journey from Paris to Sicily in search of a rare medieval book called The Golden Legend.  During his travels, Bonnard commits a crime to help a young woman in distress. 

What better way to read Anatole’s first novel than in a hardcover edition printed a century ago?  This charming antique book practically transports us back in time, to the era of horse-drawn carriages and steam-powered engines.

*          *          *

Anatole is fondly remembered for his many witty sayings about life and love.  Here are 10 of his most famous quotes:

Number 10:  To accomplish great things, we must not only act, but also dream; not only plan, but also believe.

When I hear words like “plan” and “accomplish”, I think of the core principles of project management.  (For example, setting measureable goals and tracking progress.)  I believe that Anatole is reminding us of Step One in project management: all accomplishments spring from an idea, a wish…in his words, a dream.  To bring your dream to life, you must believe in yourself.


Number 9:   Existence would be intolerable if we were never to dream.

Ah, that word “dream” again.  Here Anatole explores the concept that life should consist of more than one’s mundane day-to-day tasks.  To live our lives fully, we must have hope, and that hope manifests itself in our dreams.


Number 8: One thing above all gives charm to men's thoughts, and this is unrest. A mind that is not uneasy irritates and bores me.
This is a theme in numerous stories published between the 1880s and the end of the 1920s.  F. Scott Fitzgerald’s protagonists often exclaim, in an amusing manner, that they’re bored.  If you’ve read This Side of Paradise, The Great Gatsby, and Bernice Bobs her Hair, you know what I mean.  Fitzgerald’s people are desperate for someone interesting to walk in the door and liven things up.  
Jules Verne’s characters, as well, simply can’t sit still.  They must do something big and bold, often on a whim, like travel around the world in 80 days or explore the oceans in that new-fangled contraption called a submarine. 

Robert Louis Stevenson also crafted marvelous page-turning adventure stories by answering the question, “And then what happened?” 

Just like our great-great-great grandparents, we seek the company of people – in real life and in fiction – who are gifted with lively minds that entertain us.


Number 7:  The greatest virtue of man is perhaps curiosity.

This observation ties into Anatole’s previous comment about having an “uneasy mind.”  It is our curiosity that leads us to develop scientific theories, discover medical breakthroughs, and explore the stars.

Number 6: An education isn't how much you have committed to memory, or even how much you know. It's being able to differentiate between what you do know and what you don't.

Anatole’s comment reminds me of the famous saying that a college degree is a license to learn. 

Number 5: Nine tenths of education is encouragement.
How fortunate we are, as we travel through life, to meet many people who help us to learn, build, grow, and achieve.


Number 4:  It is human nature to think wisely and act in an absurd fashion.
Anatole shrugs off out-of-character behavior with his usual charm.  I will leave it up to you to imagine what bizarre things 19th century people could have done to earn the label “absurd.”

Number 3: If fifty million people say a foolish thing, it is still a foolish thing.

In the 1500s, people believed that lemmings fell from the sky during storms.  (Yes, lemmings.  The same little creatures that are rumored to jump off cliffs.)   It doesn’t matter who invented this absurd story.  I can visualize Anatole twiddling the edges of his sleek mustache, rolling his eyes, and advising us to think for ourselves.

Number 2:  Until one has loved an animal a part of one's soul remains unawakened.
In The Crime of Sylvestre Bonnard, the hero owns a cat.  Or, as any cat owner will tell you…the cat owns him.

Let’s conclude this list with this breathtakingly panoramic statement from the immortal Anatole France:

Number 1:  The truth is that life is delicious, horrible, charming, frightful, sweet, bitter, and that is everything.


Friday, February 16, 2018







Sue Grafton: A Tribute



The mystery genre has its own canon, a set of built-in expectations for the audience.  Classic “whodunits,” as established by 1930s and 1940s novels -- and their Hollywood adaptations -- are exciting adventure stories.  While these aren’t hard-and-fast rules, mystery writers typically include the following elements in their novels:

  1. A sense of dramatic tension, from page one, telling us that something unforeseen is about to transpire.
  2. After introducing the characters and the setting, the author shakes things up with a jarring crime; for example, a murder.
  3. The plot revolves around identifying the murderer.  The tricky part is that the killer could be any one of several possible suspects – or even a team of collaborators.
  4. The unraveling of the mystery is presented through the eyes of the detective called in to solve the crime.  Often the protagonist is a police officer or a psychiatrist who is familiar with the workings of the criminal mind.
  5. The detective collects and analyzes clues and pieces of evidence, many of which are red herrings designed to throw the reader off track.  However, an important snippet of information on page 12 of the novel may come in handy on page 200, so the reader has to stay sharp.
  6. The detective identifies the character who had the motive, the scheme, the method, and the opportunity to commit the murder.
  7. Realizing that the hero is close on his trail, the criminal attempts to make the detective his next victim.
  8. The detective summons all the suspects together and points an accusing finger at the murderer.

What makes a successful mystery novelist stand out from the pack?  It’s the ability to transform the basic structure of the “whodunit” into something unique that fulfills and exceeds the expectations of the audience. And that is what Sue Grafton accomplished in her long and amazing career.

Sue Grafton was born in 1940 in Louisville, KY.  She was destined from an early age to become an author, and her career was an exciting journey toward that goal.  Encouraged by her crime novelist father, C.W. Grafton, she began writing when she was 18.  As many authors discover, the art of writing is best learned from the practice of creating one story after another.  And so she wrote several novels, publishing her first at the age of 27. 

Then she diverted her energy into building a screenwriting career.  Among her notable projects, she collaborated with her husband, Steven Humphrey, on script adaptations of Agatha Christie’s A Caribbean Mystery and Sparkling Cyanide.

Sue Grafton achieved phenomenal success when she resumed writing mystery novels.  She hit upon the idea of naming her stories after the letters of the alphabet.  (The first book in the series was A is for Alibi.)   The heroine of her alphabet mystery novels is a private investigator and former cop, Kinsey Millhone.  Kinsey is a brilliantly complicated character; she survives being orphaned at an early age, grows up and navigates several career changes and troubled relationships, and finally blazes a trail through life on her own terms.

The action in the Kinsey Millhone novels is set in Santa Teresa, California.  I have heard that Santa Teresa, a fictitious place, was based on Santa Barbara. This is indeed possible, for this beautiful West Coast town, located about a 90-minute drive north of Los Angeles, was also Sue Grafton’s home for many years.

In addition to winning numerous awards for her writing, Sue Grafton became one of the most beloved authors of our time.  She has many loyal readers around the world; her novels have been published in 28 countries and translated into 26 languages. 

Sue Grafton published the 25th book in the Kinsey Millhone series, Y is for Yesterday, in 2017.  It is unfortunate that she did not live long enough to complete the final book in the series, the Z volume, before passing at the age of 77.

We have one of Sue Grafton’s bestselling novels in stock at Steve’s Book Décor.  It’s M is for Malice. The story is about a wealthy man who dies and leaves his multi-million-dollar estate to be divided among his four sons.  Kinsey Millhone is hired to track down one of the heirs, the black sheep of the family.  M is for Malice, like all of Sue Grafton’s mysteries, is a well-crafted, suspenseful page-turner filled with memorable characters.

 I will wrap up this tribute to Sue Grafton with my favorite quote from this amazing author:

   “I’ve learned to trust my own instincts, and I’ve also learned to take risks.”

Wednesday, February 14, 2018




Episode 1 of the 
Quills and Cliffhangers podcast


is now available on 




If you love old books, you’re in excellent company!  Some of the great book collectors of all time include Henry Edwards Huntington, founder of the world-famous Huntington Library and Botanical Gardens in San Marino, CA; Alexandre Dumas, the author of The Three Musketeers; and Ian Fleming, the creator of James Bond.

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A home decorated with hardcover books creates a wonderful first impression.  An assortment of vintage books displayed on a shelf adds charm and character to a room.  A home filled with books is an oasis of civilization, a warm and inviting haven from the hectic bustle of the modern world.

Classic books are popular for more than their decorative appeal, of course!  It is exhilarating to open a hardcover book that has entertained readers for generations and to share the thoughts of a famous author.  A vintage book invites the reader to explore its pages at a relaxing pace.

Decorative hardcover books also make extraordinary gifts.  Poetry, history, fiction – everyone has a favorite genre.  A classic hardcover book can become a treasured memento that is passed down in the family as a keepsake.

Finally, collecting old books keeps the works of great writers alive.  

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When we discuss rare books, we may think of illuminated manuscripts in a museum’s temperature controlled display case.  The Huntington Library has, in fact, one of the world’s eleven vellum copies of the Gutenberg Bible.

But for most collectors, rare books reside on a shelf in their home, where they can be both admired and read.

Every collector has a rare book in his or her personal library…a crown jewel, a prized possession.  While the most obvious indicator of a book’s value is its current selling price, there are numerous qualities which can elevate an author’s published work to the status of a collectible book.

*     *     *

Here is a countdown list of ten factors to consider when building your own book collection.


Number 10:  The year the book was printed.  The older the book, the greater the chance that few copies remain.

People often collect the works of a certain author, for example, Jane Austen or Ernest Hemingway.  Others fall in love with the style of a specific era -- let’s say, the 1920s -- and the variety of books they acquire from that decade could run the gambit from Cheri by Colette to Manhattan Transfer by John Dos Passos. 

Since we’re discussing a book’s age, we should take a moment and examine the difference between antique and vintage books.  The definitions of these terms have a variety of nuances among collectors. Generally, “vintage” refers to books published 20 to 99 years ago, while the word “antique” describes a book published 100 or more years ago.


Number 9:  Decorative effects.  A book you are interested in acquiring may be strikingly handsome.  The book may be leather-bound.  The cover may have a colorful illustration.  The title may be stamped on the spine in gold or silver letters.  The top edge of the pages may be a shiny gilt, a classic touch often seen in vintage sets of encyclopedias and in commemorative book editions.

The pages also may have distinctive features.  For example, illustrations: vintage maps, reproduction art prints, and black-and-white or color photographs.  Occasionally the portrait of the author is also printed inside the book.


A publisher may include additional illustrations for reprint editions.  Often I find hardcover anthologies of classic fairy tales with beautiful and unique color plates. 


Number 8:  The book’s condition.  The passing of time tends to affect both the appearance and the structure of the binding, the cover, and the pages.  An old book may show indications of handling by previous owners.  The binding edge may be faded from exposure to the room’s lighting.  Even the act of taking a book down from a shelf, over and over, can cause wear on the spine.  It is also normal to open an antique book and find that the pages are faded with age. 

An old book should not be expected to be in like-new, showroom condition.  All of these signs of age add to its nostalgic charm. 


Number 7: The book’s printing history.  First editions remain very popular among collectors.  Even though the book may have had only one printing, the fact that this was the only edition ever made increases its rarity.



When the word “first” is associated with a book, it can be a clue that you have found something special.  You may have discovered the first edition of a literary work to be printed in your country.  Even a novel in which the author introduces a character for the first time can make a book more valuable.  


Number 6:   Scarcity. How many copies were printed, and how many still exist, can be a literal definition of the word “rare”.  

A book can be rare even if it’s not extremely old.  Recently I came across a copy of The Glass Inferno, one of the stories that the movie The Towering Inferno was based upon. After researching this book’s printing history, I found only one edition, in 1974.  Not only did this suspenseful adventure novel become a classic, star-studded Hollywood production, but also a hardcover copy of this book in circulation four decades later would appeal to collectors of both literary works and movie memorabilia.


Number 5:  Autographed editions.  A significant number of book lovers collect only signed editions, even books that were autographed for someone else.

Some years ago, I visited a bookstore in Los Angeles.  I was surprised to see a long line of people stretching all the way from the parking lot, through the front door, and around the rows of bookshelves to a conference room in the back of the store.  I took a peek inside the room.  Lo and behold, there was Kirk Douglas, seated at a long table, with stacks of his latest novel.  He was holding a pen and looking up inquisitively at one of his fans, who was spelling the name she wished him to write on the title page.  The other customers were waiting patiently for their turn, for this was a rare opportunity to get an authentic signed edition from a Hollywood legend.


Number 4:  The author’s credentials.  If the book was written by an expert in a particular field, this can increase its value.  To continue the previous example, a novel about the film industry written by Kirk Douglas – the patriarch of a Hollywood dynasty – would carry the cachet of the author’s insider knowledge of the world of moviemaking.


Number 3:  The book’s previous owners.  If someone famous owned a book that you are interested in acquiring, that person’s contributions to society can add significant value to the book.  If a Congresswoman invested seventy years in acquiring first editions of 19th century works, her heirs may donate her collection to a museum or university, so that the books can be appreciated by the general public.


Number 2:  The subject matter.  A book may be of significant scientific or academic importance.  A vintage edition filled with reproductions of antique maps may be of historical significance to a graduate student conducting research. 

A book that is a standout in its genre is destined to become a treasured classic.  Gray’s Anatomy, filled with a plentitude of black-and-white illustrations of the human body, has remained in print since 1858 because of its ongoing usefulness to medical students.


Number 1:  The book’s charm.  Just like good friends and fine wines, you know the right ones when you see them.  Whether a famous classic or an unusual find, that special book can be rare and wonderful solely because it has captured your heart.


The Quills and Cliffhangers podcast is available at Castbox